{"id":11955,"date":"2019-04-20T18:57:53","date_gmt":"2019-04-20T16:57:53","guid":{"rendered":"http:\/\/blog.leonardcohen.de\/?p=11955"},"modified":"2019-04-21T12:32:58","modified_gmt":"2019-04-21T10:32:58","slug":"kw-16-2019-bob-dylan-live-in-germany-2019-erstmals-in-augsburg-waehrend-seiner-neverending-tour","status":"publish","type":"post","link":"https:\/\/leonardcohen.de\/?p=11955","title":{"rendered":"KW-16-2019: #Bob_Dylan_Live_in_Germany_2019 – „When No Ship Comes In In Augsburg“ – (Doch nicht) Auf den Spuren Bertholt Brechts – #Live_in_Augsburg ist das letzte Deutschlandkonzert dieser 2019er Fr\u00fchjahrstournee.- Erstmals in Augsburg w\u00e4hrend seiner #Neverending_Tour. Bob Dylan`s 3001. Konzert der #neverendingtour."},"content":{"rendered":"

\"\"<\/a><\/p>\n

I Setlist<\/strong><\/p>\n

5 Konzerte im Fr\u00fchjahr 2019. 5 mal die gleiche Setlist:<\/p>\n

 <\/p>\n\n\n\n
Augsburg, Germany<\/strong><\/span>
\nSchwabenhalle<\/span>
\n<\/strong> April 20, 2019<\/span><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/th>\n<\/tr>\n
1.<\/strong><\/td>\nThings Have Changed<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
2.<\/strong><\/td>\nIt Ain’t Me, Babe<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
3.<\/strong><\/td>\nHighway 61 Revisited<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
4.<\/strong><\/td>\nSimple Twist Of Fate<\/strong> (Bob on piano and harp) <\/span><\/td>\n<\/tr>\n
5.<\/strong><\/td>\nCry A While<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
6.<\/strong><\/td>\nWhen I Paint My Masterpiece<\/strong> (Bob on piano and harp) <\/span><\/td>\n<\/tr>\n
7.<\/strong><\/td>\nHonest With Me<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
8.<\/strong><\/td>\nTryin‘ To Get To Heaven<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
9.<\/strong><\/td>\nScarlet Town<\/strong> (Bob center stage) <\/span><\/td>\n<\/tr>\n
10.<\/strong><\/td>\nMake You Feel My Love<\/strong> (Bob on piano and harp) <\/span><\/td>\n<\/tr>\n
11.<\/strong><\/td>\nPay In Blood<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
12.<\/strong><\/td>\nLike A Rolling Stone<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
13.<\/strong><\/td>\nEarly Roman Kings<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
14.<\/strong><\/td>\nDon’t Think Twice, It’s All Right<\/strong> (Bob on piano and harp) <\/span><\/td>\n<\/tr>\n
15.<\/strong><\/td>\nLove Sick<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
16.<\/strong><\/td>\nThunder On The Mountain<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
17.<\/strong><\/td>\nSoon After Midnight<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
18.<\/strong><\/td>\nGotta Serve Somebody<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n(encore)<\/span><\/td>\n<\/tr>\n
19.<\/strong><\/td>\nBlowin‘ In The Wind<\/strong> (Bob on piano) <\/span><\/td>\n<\/tr>\n
20.<\/strong><\/td>\nIt Takes A Lot To Laugh, It Takes A Train To Cry<\/strong>
\n(Bob on piano) <\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n
Band Members<\/b>
\nBob Dylan – piano
\nTony Garnier – bass
\nGeorge Recile – drums
\nCharlie Sexton on lead guitar
\nDonnie Herron – violin, banjo, electric mandolin, pedal steel, lap steel<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Quelle: http:\/\/www.boblinks.com\/042019s.html<\/a><\/p>\n

II Augsburg<\/strong><\/p>\n

Augsburg k\u00f6nnte f\u00fcr Bob Dylan von Bedeutung sein. In seiner Autobiographie „Chronicles Vol. I“ spricht er des \u00d6fteren \u00fcber Brecht. Vielleicht ein Anlass f\u00fcr Dylan in Augsburg das Brechthaus zu besuchen.<\/p>\n

„In seiner Autobiographie, den \u201eChronicles\u201c, l\u00e4sst er sich n\u00e4mlich seitenlang und mit gro\u00dfer Begeisterung \u00fcber die Bedeutung von Bert Brechts Songs \u2013 allen voran die \u201eSeer\u00e4uber Jenny\u201c \u2013 f\u00fcr seinen Werdegang als Songwriter aus.“, schreibt Udo Legner in seinem Artikel „Dylan Day In Augsburg“ in DIE AUGSBURGER ZEITUNG:<\/p>\n

More Infos:<\/p>\n

\u00a0https:\/\/www.daz-augsburg.de\/76666-2\/<\/a><\/p>\n

https:\/\/www.augsburger-allgemeine.de\/augsburg\/kultur\/Kurz-vor-dem-Bob-Dylan-Konzert-How-Does-It-Feel-id54080926.html?fbclid=IwAR3ZYf3r7iexEMxZ3VlLy0oEEB5MOgr2fUtjAgUTMSKh61tLC0F1pOlf8CQ<\/a><\/p>\n

https:\/\/www.lettre.de\/beitrag\/ramponi-patrick_when-ship-comes<\/a><\/p>\n

http:\/\/www.lyc-luynes.ac-aix-marseille.fr\/spip\/sites\/www.lyc-luynes\/spip\/IMG\/pdf\/seerauber_jenny.pdf<\/a><\/p>\n

und:<\/p>\n

When Bobby Met Bertolt, Times Changed<\/h1>\n
\n

By JASON ZINOMAN<\/span><\/a><\/span>

 <\/p>\n

III<\/strong> ABC – Aznavour, Brecht & Cohen<\/strong><\/p>\n

Dylan war schon in vielen St\u00e4dten gro\u00dfer K\u00fcnstler, Schriftsteller und Singer\/ Songwriter. In manchen spielte er sogar deren Lieder. Allen voran in Montreal, als er im Forum de Montr\u00e9al, Quebec, Canada am8 July 1988Leonard Cohens „Hallelujah“ sang.<\/p>\n<\/div>\n

Dylan tut das zwar selten, Songs von anderen zu interpretieren, aber er tut es hin und wieder, wenn er nicht gerade ein Weihnachtslieder-Album, zwei Sinatra-Alben oder Songs from American Songbook spielt.<\/p>\n

Am 8. April 2009 sang er in Paris ein Lied von Charles Aznavour, die zweite Auff\u00fchrung des Songs \u00fcberhaupt nach dem Debut 1998.<\/p>\n

Am 20. April 2019 war man irgendwie gespannt, ob er in der Stadt, in der der Mann, der die „Dreigroschenoper“ geschrieben hat, und Dylan nicht nur zu dem Song „When The Ship Comes In“ 1964 inspiriert hat, sondern auch bei weiteren k\u00fcnstlerischen Erg\u00fcssen beeinflusste, vielleicht gar einen „Brecht-Song“ oder wom\u00f6glich eben auch „When The Ship Comes In“ spielen w\u00fcrde. Er tat es nicht. Er blieb seiner Linie treu, Erwartungshaltungen nicht zu erf\u00fcllen. Stattdessen pr\u00e4sentierte er zum f\u00fcnftem Mal im Deutschland 2019 exakt die gleiche Setlist, wie zu Beginn am 31. M\u00e4rz in D\u00fcsseldorf.<\/p>\n","protected":false},"excerpt":{"rendered":"

I Setlist 5 Konzerte im Fr\u00fchjahr 2019. 5 mal die gleiche Setlist:   Augsburg, Germany Schwabenhalle April 20, 2019   1. Things Have Changed (Bob on piano) 2. It Ain’t Me, Babe (Bob on piano) 3. Highway 61 Revisited (Bob on piano) 4. Simple Twist Of Fate (Bob on piano and harp) 5. Cry A […]<\/p>\n","protected":false},"author":1,"featured_media":11956,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11955","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/11955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11955"}],"version-history":[{"count":12,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/11955\/revisions"}],"predecessor-version":[{"id":11968,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/11955\/revisions\/11968"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/media\/11956"}],"wp:attachment":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}