{"id":1520,"date":"2015-11-05T22:22:39","date_gmt":"2015-11-05T20:22:39","guid":{"rendered":"http:\/\/blog.leonardcohen.de\/?p=1520"},"modified":"2015-11-05T22:22:39","modified_gmt":"2015-11-05T20:22:39","slug":"kw-45-2015-leonard-cohen-und-bob-dylan-the-neverending-bootleg-stories-und-leonard-cohen-hat-wieder-das-nachsehen-bob-dylan-offeriert-diese-woche-mit-vol-12-eine-weitere-oeffnung-seines-a","status":"publish","type":"post","link":"https:\/\/leonardcohen.de\/?p=1520","title":{"rendered":"KW-45-2015: Leonard Cohen und … Bob Dylan – The neverending-bootleg-stories. Und Leonard Cohen hat (wieder) das Nachsehen. Bob Dylan offeriert diese Woche mit Vol. 12. eine weitere \u00d6ffnung seines Archivs. Cohen h\u00e4lt das seinige verschlossen. Bob Dylan ver\u00f6ffentlicht am 6. November 2015 „THE CUTTING EDGE 1965-1966: The Bootleg Series Vol. 12“."},"content":{"rendered":"

BOB DYLAN ver\u00f6ffentlicht THE CUTTING EDGE 1965-1966: THE BOOTLEG SERIES VOL. 12 am 6. November 2015
\n\"cutting-edge-dlx-master-300\"<\/a><\/p>\n

<\/strong>Columbia Records und Legacy Recordings, die Katalogabteilung von Sony Music Entertainment, geben den Release der Bob-Dylan-Anthologie The Cutting Edge 1965-1966: The Bootleg Series Vol. 12<\/em><\/strong> bekannt, die weltweit ab dem 6. November erh\u00e4ltlich sein wird.<\/p>\n

Diese Ver\u00f6ffentlichung schl\u00e4gt das neueste Kapitel der Bootleg-Series auf, die sich diesmal ganz auf die Aufnahmesessions zu Dylans Meisterwerken Bringing lt All Back Home<\/em>, Highway 61 Revisited<\/em> und Blonde On Blonde<\/em> konzentriert. Mit diesen drei Alben ver\u00e4nderte Dylan ma\u00dfgeblich die Geschichte der popul\u00e4ren Musik und zementierte seinen Ruf als Songwriter und Performer der Sonderklasse, dem niemand in Sachen Originalit\u00e4t und Tiefgr\u00fcndigkeit das Wasser reichen konnte.<\/p>\n

The Cutting Edge 1965-1966: The Bootleg Series Vol. 12<\/strong><\/em> wird in folgenden Versionen erh\u00e4ltlich sein:<\/p>\n

– Auf der 6 CDs umfassenden Deluxe-Edition<\/strong> sind unver\u00f6ffentlichte Tracks, Outtakes, Probenmitschnitte und alternative Versionen der Studioaufnahmen dieser drei Alben versammelt.<\/p>\n

– Die 18 CDs umfassende und weltweit auf 5000 Einheiten limitierte Collector’s Edition<\/strong> wird exklusiv \u00fcber die Website BobDylan.com erh\u00e4ltlich sein. Hier findet der Fan buchst\u00e4blich jede Note, die w\u00e4hrend der 1965\/66er Sessions auf Tape gebannt wurde. Zus\u00e4tzlich erh\u00e4lt diese Box die neun 7-Inch-Singles, die Dylan w\u00e4hrend dieser Schaffensphase auf den Markt brachte, als Replica- Editionen.<\/p>\n

– The Best of The Cutting Edge 1965-1966<\/strong> wird als Doppel-CD und Dreifach-LP erh\u00e4ltlich sein. Diese Version der Bootleg Series Vol. 12<\/em> pr\u00e4sentiert die Highlights der Deluxe Version und der Collector’s Edition.<\/p>\n

S\u00e4mtliche bislang unver\u00f6ffentlichten Aufnahmen wurden anhand der Original-Mehrspurb\u00e4nder abgemischt. Zudem sind alle Varianten, wie schon bei den fr\u00fcheren Folgen der Bootleg Series \u00fcblich, mit ausf\u00fchrlichen Booklets (bei den Deluxe-Varianten als Hardcover-Buchausgabe) ausgestattet. Liner Notes u.a. von Bill Flanagan und Sean Wilentz und Hunderte von seltenen Fotos und Abbildungen zeitgen\u00f6ssischer Memorabilia runden die Sets ab.<\/p>\n

Bringing lt All Back Home<\/em>, Highway 61 Revisited<\/em> und die Doppel-LP Blonde On Blonde<\/em> z\u00e4hlen zu den wichtigsten Alben der 1960er. Dylan ben\u00f6tigte nur 14 Monate (Januar 1965 bis M\u00e4rz 1966), um die Songs, die auf diesen Meisterwerken zu h\u00f6ren sind, zu schreiben und einzuspielen. Produziert wurden die Longplayer von Tom Wilson in New York (Bringing lt All Back Home)<\/em> und von Bob Johnston in New York (Highway 61 Revisited)<\/em> und Nashville (Blonde On Blonde)<\/em>.
\nBob Dylan
\nThe Best of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12<\/em><\/strong><\/p>\n

DISC 1
\n1. Love Minus Zero\/No Limit – Take 2 (1\/13\/1965) acoustic
\n2. I\u2019ll Keep It with Mine – Take 1 (1\/13\/1965) piano demo
\n3. Bob Dylan\u2019s 115th Dream – Take 2 (1\/13\/1965) solo acoustic
\n4. She Belongs to Me – Take 1 (1\/13\/1965) solo acoustic
\n5. Subterranean Homesick Blues – Take 1 (1\/14\/1965) alternate take
\n6. Outlaw Blues – Take 2 (1\/13\/1965) alternate take
\n7. On the Road Again – Take 4 (1\/14\/1965) alternate take
\n8. Farewell, Angelina – Take 1 (1\/13\/1965) solo acoustic
\n9. If You Gotta Go, Go Now – Take 2 (1\/15\/1965) alternate take
\n10. You Don\u2019t Have to Do That – Take 1 (1\/13\/1965) solo acoustic
\n11. California – Take 1 (1\/13\/1965) solo acoustic
\n12. Mr. Tambourine Man – Take 3 (1\/15\/1965) with band, incomplete
\n13. It Takes a Lot to Laugh, It Takes a Train to Cry – Take 8 (6\/15\/1965) alternate take
\n14. Like a Rolling Stone – Take 5 (6\/15\/1965) rehearsal
\n15. Like a Rolling Stone – Take 11 (6\/16\/1965) alternate take
\n16. Sitting on a Barbed Wire Fence – Take 2 (6\/15\/1965) unreleased take
\n17. Medicine Sunday – Take 1 (10\/5\/1965) early version of Temporary Like Achilles
\n18. Desolation Row – Take 2 (8\/4\/1965) piano demo
\n19. Desolation Row – Take 1 (8\/4\/1965) alternate take<\/p>\n

DISC 2
\n1. Tombstone Blues – Take 1 (7\/29\/1965) alternate take
\n2. Positively 4th Street – Take 5 (7\/29\/1965) alternate take
\n3. Can You Please Crawl Out Your Window – Take 1 (7\/30\/1965) alternate take
\n4. Just Like Tom Thumb\u2019s Blues – Take 3 (8\/2\/1965) rehearsal
\n5. Highway 61 Revisited – Take 3 (8\/2\/1965) alternate take
\n6. Queen Jane Approximately – Take 5 (8\/2\/1965) alternate take
\n7. Visions of Johanna – Take 5 (11\/30\/1965) rehearsal
\n8. She\u2019s Your Lover Now – Take 6 (1\/21\/1966) rehearsal
\n9. Lunatic Princess – Take 1 (1\/27\/1966)
\n10. Leopard-Skin Pill-Box Hat – Take 8 (2\/14\/1966) alternate take
\n11. One of Us Must Know (Sooner or Later) – Take 19 (1\/25\/1966) alternate take
\n12. Stuck Inside of Mobile with the Memphis Blues Again – Take 13 (2\/17\/1966) alternate take
\n13. Absolutely Sweet Marie – Take 1 (3\/7\/1966) alternate take
\n14. Just Like a Woman – Take 4 (3\/8\/1966) alternate take
\n15. Pledging My Time – Take 1 (3\/8\/1966) alternate take
\n16. I Want You – Take 4 (3\/10\/1966) alternate take
\n17. Highway 61 Revisited \u2013 Take 7 (8\/2\/1965) false start<\/p>\n

All tracks previously unreleased except Disc 1, track 2, Biograph; Disc 1, track 8, The Bootleg Series, Volume 1-3.<\/p>\n

Bob Dylan<\/strong>
\nThe Cutting Edge 1965-1966: The Bootleg Series Vol. 12<\/em><\/strong>
\n(6 CD Deluxe Edition)<\/p>\n

DISC 1:
\n1. Love Minus Zero\/No Limit – Take 1 (1\/13\/1965) acoustic, incomplete
\n2. Love Minus Zero\/No Limit – Take 2 (1\/13\/1965) acoustic
\n3. Love Minus Zero\/No Limit – Take 3 remake (1\/13\/1965) acoustic
\n4. Love Minus Zero\/No Limit – Take 1 remake (1\/14\/1965) electric
\n5. I\u2019ll Keep It with Mine – Take 1 (1\/13\/1965) piano demo, previously released on Biograph, 1985
\n6. It\u2019s All Over Now, Baby Blue – Take 1 (1\/13\/1965) solo acoustic, previously released on The Bootleg Series, Vol. 7, 2005
\n7. Bob Dylan\u2019s 115th Dream – Take 1 (1\/13\/1965) acoustic, incomplete
\n8. Bob Dylan\u2019s 115th Dream – Take 2 (1\/13\/1965) acoustic
\n9. She Belongs to Me – Take 1 (1\/13\/1965) solo acoustic
\n10. She Belongs to Me – Take 2 Remake (1\/13\/1965) acoustic
\n11. She Belongs to Me – Take 1 Remake (1\/14\/1965) electric
\n12. Subterranean Homesick Blues – Take 1 (1\/13\/1965) solo acoustic, previously released on The Bootleg Series, Vol. 1-3, 1991
\n13. Subterranean Homesick Blues – Take 1 remake (1\/14\/1965) electric
\n14. Outlaw Blues – Take 1 (1\/13\/1965) solo acoustic
\n15. Outlaw Blues – Take 2 Remake (1\/13\/1965) electric
\n16. On the Road Again – Take 1 (1\/13\/1965) solo acoustic
\n17. On the Road Again – Take 4 (1\/14\/1965) electric
\n18. On the Road Again – Take 1 remake (1\/15\/1965) electric
\n19. On the Road Again – Take 7 remake (1\/15\/1965) electric
\n20. Farewell, Angelina – Take 1 (1\/13\/1965) solo acoustic, previously released The Bootleg Series, Vol. 1-3, 1991
\n21. If You Gotta Go, Go Now – Take 1 (1\/13\/1965) solo acoustic
\n22. If You Gotta Go, Go Now – Take 2 (1\/15\/1965) electric
\n23. You Don\u2019t Have to Do That – Take 1 (1\/13\/1965) solo acoustic, incomplete<\/p>\n

DISC 2:
\n1. California – Take 1 (1\/13\/1965) solo acoustic
\n2. It’s Alright, Ma (I’m Only Bleeding) – Take 1 (1\/15\/1965) acoustic, demo
\n3. Mr. Tambourine Man – Takes 1 – 2 (1\/15\/1965) incomplete, with band
\n4. Mr. Tambourine Man – Take 3 (1\/15\/1965) incomplete, with band
\n5. It Takes a Lot to Laugh, It Takes a Train to Cry – Take 1 (6\/15\/1965)
\n6. It Takes a Lot to Laugh, It Takes a Train to Cry – Take 8 (6\/15\/1965)
\n7. It Takes a Lot to Laugh, It Takes a Train to Cry – Take 3 (7\/29\/1965)
\n8. It Takes a Lot to Laugh, It Takes a Train to Cry – Take 3 remake (7\/29\/65)
\n9. Sitting on a Barbed Wire Fence – Take 2 (6\/15\/1965)
\n10. Tombstone Blues – Take 1 (7\/29\/1965)
\n11. Tombstone Blues – Take 9 (7\/29\/1965) previously released on The Bootleg Series, Vol. 7, 2005
\n12. Positively 4th Street – Takes 1-3 (7\/29\/1965)
\n13. Positively 4th Street – Take 4 (7\/29\/1965)
\n14. Positively 4th Street – Take 5 (7\/29\/1965)
\n15. Desolation Row – Take 1 (8\/4\/1965)
\n16. Desolation Row – Take 2 (8\/4\/1965) piano demo
\n17. Desolation Row – Take 5 remake (8\/2\/1965)
\n18. From a Buick 6 – Take 1 (7\/30\/1965)
\n19. From a Buick 6 – Take 4 (7\/30\/1965) released in error on first pressing of Highway 61 Revisited, 1965<\/p>\n

DISC 3:
\n1. Like a Rolling Stone – Take 1-3 (6\/15\/1965)
\n2. Like a Rolling Stone – Take 4 (6\/15\/1965)
\n3. Like a Rolling Stone – Take 5 (6\/15\/1965)
\n4. Like a Rolling Stone – Rehearsal (6\/16\/1965)
\n5. Like a Rolling Stone – Take 1 (6\/16\/1965)
\n6. Like a Rolling Stone – Takes 2-3 (6\/16\/1965)
\n7. Like a Rolling Stone – Take 4 (6\/16\/1965) released on Highway 61 Revisited, 1965
\n8. Like a Rolling Stone – Take 5 (6\/16\/1965)
\n9. Like a Rolling Stone – Take 6 (6\/16\/1965)
\n10. Like a Rolling Stone -Take 8 (6\/16\/1965)
\n11. Like a Rolling Stone – Takes 9-10 (6\/16\/1965)
\n12. Like a Rolling Stone – Take 11 (6\/16\/1965)
\n13. Like a Rolling Stone – Take 12 (6\/16\/1965)
\n14. Like a Rolling Stone – Take 13 (6\/16\/1965)
\n15. Like a Rolling Stone – Take 14 (6\/16\/1965)
\n16. Like a Rolling Stone – Take 15 (6\/16\/1965)
\n17. Like a Rolling Stone – Master take – lead guitar isolated track
\n18. Like a Rolling Stone – Master take – vocal and guitar isolated track
\n19. Like a Rolling Stone – Mast take – drums and organ isolated track
\n20. Like a Rolling Stone – Master take – piano and bass isolated track<\/p>\n

DISC 4:
\n1. Can You Please Crawl Out Your Window – Take 1 (7\/30\/1965)
\n2. Can You Please Crawl Out Your Window – Take 17 (7\/30\/1965 released in error on the first pressing of Positively 4th Street single
\n3. Highway 61 Revisited – Take 3 (8\/2\/1965)
\n4. Highway 61 Revisited – Take 5 (8\/2\/1965)
\n5. Highway 61 Revisited – Take 7 (8\/2\/1965)
\n6. Just Like Tom Thumb\u2019s Blues – Take 1 (8\/2\/1965)
\n7. Just Like Tom Thumb\u2019s Blues – Take 3 (8\/2\/1965)
\n8. Just Like Tom Thumb\u2019s blues – Take 13 (8\/2\/1965)
\n9. Queen Jane Approximately – Take 2 (8\/2\/1965)
\n10. Queen Jane Approximately – Take 5 (8\/2\/1965)
\n11. Ballad of a Thin Man – Take 2 (8\/2\/1965) incomplete
\n12. Medicine Sunday – Take 1 (10\/5\/1965)
\n13. Jet Pilot – Take 1 (10\/5\/1965) Previously released on Biograph, 1985
\n14. I Wanna Be Your Lover – Take 1 (10\/5\/1965)
\n15. I Wanna Be Your Lover – Take 6 (10\/5\/1965)
\n16. Unknown Instrumental – Take 2 (10\/5\/1965)
\n17. Can You Please Crawl Out Your Window – Takes 5-6 (11\/30\/1965)
\n18. Visions of Johanna – Take 1 (11\/30\/1965)
\n19. Visions of Johanna – Take 5 (11\/30\/1965)<\/p>\n

DISC 5:
\n1. Visions of Johanna – Take 7 (11\/30\/1965)
\n2. Visions of Johanna – Take 8 (11\/30\/1965) previously released on The Bootleg Series, Vol. 7, 2005
\n3. Visions of Johanna – Take 14 (11\/30\/1965)
\n4. She\u2019s Your Lover Now – Take 1 (1\/21\/1966)
\n5. She\u2019s Your Lover Now – Take 6 (1\/21\/1966)
\n6. She\u2019s Your Lover Now – Take 15 (1\/21\/1966) previously released on The Bootleg Series, Vol. 1-3, 1991
\n7. She\u2019s Your Lover Now – Take 16 (1\/21\/1966) solo piano
\n8. One of Us Must Know (Sooner or Later) – Take 2 (1\/25\/1966)
\n9. One of Us Must Know (Sooner or Later) – Take 4 (1\/25\/1966)
\n10. One of Us Must Know (Sooner or Later) – Take 19 (1\/25\/1966)
\n11. Lunatic Princess – Take 1 (1\/27\/1966)
\n12. Fourth Time Around – Take 11 (2\/14\/1966)
\n13. Leopard-Skin Pill-Box Hat – Take 3 (2\/14\/1966)
\n14. Leopard-Skin Pill-Box Hat – Take 8 (2\/14\/1966)<\/p>\n

DISC 6:
\n1. Stuck Inside of Mobile with the Memphis Blues Again – Take 1 (2\/17\/1966)
\n2. Stuck Inside of Mobile with the Memphis Blues Again – Rehearsal (2\/17\/1966)
\n3. Stuck Inside of Mobile with the Memphis Blues Again – Take 5 (2\/17\/1966) previously released on The Bootleg Series, Vol. 7, 2005
\n4. Stuck Inside of Mobile with the Memphis Blues Again – Take 13 (2\/17\/1966)
\n5. Stuck Inside of Mobile with the Memphis Blues Again – Take 14 (2\/17\/1966)
\n6. Absolutely Sweet Marie – Take 1 (3\/7\/1966)
\n7. Just Like a Woman – Take 1 (3\/8\/1966)
\n8. Just Like a Woman – Take 4 (3\/8\/1966)
\n9. Just Like a Woman – Take 8 (3\/8\/1966)
\n10. Pledging My Time – Take 1 (3\/8\/1966)
\n11. Most Likely You Go Your Way (And I\u2019ll Go Mine) – Take 1 (3\/9\/1966)
\n12. Temporary Like Achilles – Take 3 (3\/9\/1966)
\n13. Obviously 5 Believers – Take 3 (3\/10\/1966)
\n14. I Want You – Take 4 (3\/10\/1966)
\n15. Sad-Eyed Lady of the Lowlands – Take 1 – (2\/16\/1966)<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

BOB DYLAN ver\u00f6ffentlicht THE CUTTING EDGE 1965-1966: THE BOOTLEG SERIES VOL. 12 am 6. November 2015 Columbia Records und Legacy Recordings, die Katalogabteilung von Sony Music Entertainment, geben den Release der Bob-Dylan-Anthologie The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 bekannt, die weltweit ab dem 6. November erh\u00e4ltlich sein wird. Diese Ver\u00f6ffentlichung schl\u00e4gt das […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1520","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/1520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1520"}],"version-history":[{"count":1,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/1520\/revisions"}],"predecessor-version":[{"id":1522,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/1520\/revisions\/1522"}],"wp:attachment":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}