{"id":34959,"date":"2026-09-22T09:25:44","date_gmt":"2026-09-22T07:25:44","guid":{"rendered":"https:\/\/leonardcohen.de\/?p=34959"},"modified":"2026-10-04T10:32:15","modified_gmt":"2026-10-04T08:32:15","slug":"kw-39-2026-find-10-leonard-cohen-songs-das-kleine-leonard-cohen_wimmelbuch-the-little-leonard-cohen-wimmelbook-part-iii","status":"publish","type":"post","link":"https:\/\/leonardcohen.de\/?p=34959","title":{"rendered":"KW-39-2026: Find 10 Leonard Cohen-Songs &#8211; Ein kleines LEONARD COHEN_WIMMELBUCH &#8211; Little Leonard Cohen &#8211; Wimmelbook &#8211; Part III"},"content":{"rendered":"<p><a href=\"http:\/\/leonardcohen.de\/wp-content\/uploads\/2026\/09\/LC-Wimmelbuch-Cohenpedia-III.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-thumbnail wp-image-34961\" src=\"http:\/\/leonardcohen.de\/wp-content\/uploads\/2026\/09\/LC-Wimmelbuch-Cohenpedia-III-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><\/p>\n<p>Im dritten<strong>\u00a0Bild<\/strong> habe ich die Hinweise bewusst deutlich indirekter angelegt. Gemeint sind diese zehn Leonard-Cohen-Songs:<\/p>\n<ol start=\"1\">\n<li><strong>Avalanche<\/strong> \u2013 die schroffen, teilweise verschneiten Berge im Hintergrund.<\/li>\n<li><strong>The Stranger Song<\/strong> \u2013 der einsame Mann mit Hut und Gitarrenkoffer, der sich vom Betrachter entfernt.<\/li>\n<li><strong>In My Secret Life<\/strong> \u2013 die Frau oben links, zur\u00fcckgezogen am beleuchteten Fenster.<\/li>\n<li><strong>The Future<\/strong> \u2013 die Sanduhr unten rechts als Hinweis auf verrinnende Zeit und das Kommende.<\/li>\n<li><strong>Anthem<\/strong> \u2013 der gesprungene Spiegel links; eine Anspielung auf Cohens ber\u00fchmtes Motiv vom \u201eRiss\u201c, durch den Licht eindringen kann.<\/li>\n<li><strong>Waiting for the Miracle<\/strong> \u2013 der nachdenkliche Engel auf dem Friedhof und die fast erwartungsvolle n\u00e4chtliche Stimmung.<\/li>\n<li><strong>A Thousand Kisses Deep<\/strong> \u2013 das alte Frauenportr\u00e4t, die Perlen, der Brief und die Rose als Erinnerungen an eine lange, vergangene Liebe.<\/li>\n<li><strong>The Partisan<\/strong> \u2013 die einsame Gestalt unterwegs, die Wegweiser, die befestigte Stadt und die d\u00fcstere Landschaft erinnern an Flucht, Widerstand und Heimatlosigkeit.<\/li>\n<li><strong>You Want It Darker<\/strong> \u2013 Nacht, Kerzen, Friedhof und die insgesamt sakral-dunkle Atmosph\u00e4re bilden zusammen den Hinweis.<\/li>\n<li><strong>Going Home<\/strong> \u2013 der \u00e4ltere Mann, der mit seinem Gep\u00e4ck allein einen Weg hinuntergeht, weg von der Szene und scheinbar einem letzten Ziel entgegen.<\/li>\n<\/ol>\n<p>Einige Dinge \u2013 etwa <strong>Taube, Schachbrett, Wein, Granatapfel oder Wolf<\/strong> \u2013 sind absichtlich zus\u00e4tzliche \u201efalsche F\u00e4hrten\u201c. Dadurch soll man nicht jedes auff\u00e4llige Objekt automatisch 1:1 mit einem Songtitel verbinden k\u00f6nnen.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"tw-target-text-container\" class=\"tw-ta-container tw-nfl\" tabindex=\"0\" role=\"text\">\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"\u00dcbersetzung\" aria-label=\"\u00dcbersetzter Text: In the third image, I deliberately made the clues much more indirect. The ten Leonard Cohen songs in question are: Avalanche \u2013 the rugged, partly snow-covered mountains in the background. The Stranger Song \u2013 the solitary man with a hat and guitar case, walking away from the viewer. In My Secret Life \u2013 the woman in the top left, withdrawn by the illuminated window. The Future \u2013 the hourglass in the bottom right, hinting at the passage of time and what is to come. Anthem \u2013 the cracked mirror on the left; an allusion to Cohen\u2019s famous motif of the &quot;crack&quot; through which the light gets in. Waiting for the Miracle \u2013 the pensive angel in the cemetery and the almost expectant atmosphere of the night. A Thousand Kisses Deep \u2013 the portrait of an elderly woman, the pearls, the letter, and the rose, serving as reminders of a long-past love. The Partisan \u2013 the solitary figure on the move, the signposts, the fortified town, and the somber landscape evoke themes of flight, resistance, and displacement. You Want It Darker \u2013 night, candles, the cemetery, and the overall dark, sacred atmosphere combine to form the clue. Going Home \u2013 the older man walking alone down a path with his luggage, moving away from the scene and seemingly toward a final destination. Certain elements\u2014such as the dove, chessboard, wine, pomegranate, or wolf\u2014are intentional &quot;red herrings.&quot; This ensures that one cannot automatically link every conspicuous object directly to a specific song title.\" data-ved=\"2ahUKEwjV8tzm-J-XAxW0Z_EDHRbONsQQ3ewLegQIDxAU\"><span class=\"Y2IQFc\" lang=\"en\">In the third image, I deliberately made the clues much more indirect. The ten Leonard Cohen songs in question are:\r\n\r\n    Avalanche \u2013 the rugged, partly snow-covered mountains in the background.\r\n    The Stranger Song \u2013 the solitary man with a hat and guitar case, walking away from the viewer.\r\n    In My Secret Life \u2013 the woman in the top left, withdrawn by the illuminated window.\r\n    The Future \u2013 the hourglass in the bottom right, hinting at the passage of time and what is to come.\r\n    Anthem \u2013 the cracked mirror on the left; an allusion to Cohen\u2019s famous motif of the \"crack\" through which the light gets in.\r\n    Waiting for the Miracle \u2013 the pensive angel in the cemetery and the almost expectant atmosphere of the night.\r\n    A Thousand Kisses Deep \u2013 the portrait of an elderly woman, the pearls, the letter, and the rose, serving as reminders of a long-past love.\r\n    The Partisan \u2013 the solitary figure on the move, the signposts, the fortified town, and the somber landscape evoke themes of flight, resistance, and displacement.\r\n    You Want It Darker \u2013 night, candles, the cemetery, and the overall dark, sacred atmosphere combine to form the clue.\r\n    Going Home \u2013 the older man walking alone down a path with his luggage, moving away from the scene and seemingly toward a final destination.\r\n\r\nCertain elements\u2014such as the dove, chessboard, wine, pomegranate, or wolf\u2014are intentional \"red herrings.\" This ensures that one cannot automatically link every conspicuous object directly to a specific song title.<\/span><\/pre>\n<\/div>\n<div id=\"tw-target-rmn-container\" class=\"tw-target-rmn tw-ta-container tw-nfl\" tabindex=\"-1\" role=\"text\">\n<pre id=\"tw-target-rmn\" class=\"tw-data-placeholder tw-text-small tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"\"><\/pre>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Im dritten\u00a0Bild habe ich die Hinweise bewusst deutlich indirekter angelegt. Gemeint sind diese zehn Leonard-Cohen-Songs: Avalanche \u2013 die schroffen, teilweise verschneiten Berge im Hintergrund. The Stranger Song \u2013 der einsame Mann mit Hut und Gitarrenkoffer, der sich vom Betrachter entfernt. In My Secret Life \u2013 die Frau oben links, zur\u00fcckgezogen am beleuchteten Fenster. The Future [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":34961,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-34959","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/34959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=34959"}],"version-history":[{"count":6,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/34959\/revisions"}],"predecessor-version":[{"id":34979,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/34959\/revisions\/34979"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/media\/34961"}],"wp:attachment":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=34959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=34959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=34959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}