{"id":3639,"date":"2016-07-01T13:39:01","date_gmt":"2016-07-01T11:39:01","guid":{"rendered":"http:\/\/blog.leonardcohen.de\/?p=3639"},"modified":"2016-07-01T21:51:43","modified_gmt":"2016-07-01T19:51:43","slug":"kw-26-2016-20th-anniversary-of-cohenpedia-and-www-leonardcohen-de-1996-2016-updates-upgrades-leonard-cohen-a-bis-z-leonard-cohen-und-patti-smith-heute-in-montreux-morgen-in-luxemb","status":"publish","type":"post","link":"https:\/\/leonardcohen.de\/?p=3639","title":{"rendered":"KW-26-2016: 20th Anniversary of COHENPEDIA  and WWW.LEONARDCOHEN.DE # 1996 &#8211; 2016 # UPDATES &#038; UPGRADES # Leonard Cohen  A bis Z # Leonard Cohen und &#8230; PATTI SMITH. Morgen in Luxemburg, n\u00e4chste Woche in Montreux. Die Punk-Poetin performt &#8222;Horses&#8220;  # \u2013  # Update &#038; Upgrade der Cohenpedia 1996 \u2013 2016 # Twenty Years Of Leonard Cohen in German Internet 1996-2016."},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/cohenpedia.de\/a-z\/\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-3640\" src=\"http:\/\/blog.leonardcohen.de\/wp-content\/uploads\/2016\/07\/cohenpedia-headsite-ipatti-smith-cohen-and-patti-smith-by-christof-graf-300x168.jpg\" alt=\"cohenpedia-headsite-ipatti-smith-cohen-and-patti-smith-by-christof-graf\" width=\"300\" height=\"168\" srcset=\"https:\/\/leonardcohen.de\/wp-content\/uploads\/2016\/07\/cohenpedia-headsite-ipatti-smith-cohen-and-patti-smith-by-christof-graf-300x168.jpg 300w, https:\/\/leonardcohen.de\/wp-content\/uploads\/2016\/07\/cohenpedia-headsite-ipatti-smith-cohen-and-patti-smith-by-christof-graf-624x351.jpg 624w, https:\/\/leonardcohen.de\/wp-content\/uploads\/2016\/07\/cohenpedia-headsite-ipatti-smith-cohen-and-patti-smith-by-christof-graf.jpg 854w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-3607\" src=\"http:\/\/blog.leonardcohen.de\/wp-content\/uploads\/2016\/06\/cohenpedia-headsite-a-bis-z-by-christof-graf-300x168.jpg\" alt=\"cohenpedia-headsite-a-bis-z-by-christof-graf\" width=\"300\" height=\"168\" srcset=\"https:\/\/leonardcohen.de\/wp-content\/uploads\/2016\/06\/cohenpedia-headsite-a-bis-z-by-christof-graf-300x168.jpg 300w, https:\/\/leonardcohen.de\/wp-content\/uploads\/2016\/06\/cohenpedia-headsite-a-bis-z-by-christof-graf-1024x576.jpg 1024w, https:\/\/leonardcohen.de\/wp-content\/uploads\/2016\/06\/cohenpedia-headsite-a-bis-z-by-christof-graf-624x351.jpg 624w, https:\/\/leonardcohen.de\/wp-content\/uploads\/2016\/06\/cohenpedia-headsite-a-bis-z-by-christof-graf.jpg 1755w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><a href=\"http:\/\/cohenpedia.de\/a-z\/\">http:\/\/cohenpedia.de\/a-z\/<\/a><\/p>\n<p style=\"text-align: center;\">Allzu viel \u00fcber die Verbindung Leonard Cohen und Patti Smith gibt es nicht zu sagen, aber: Als ich 1998 zum ersten Mal das New Yorker Chelsea Hotel besuchte, kam mir Patti Smith im Foyer entgegen. Sie lebte auch einige Zeit im Chelsea.<\/p>\n<p style=\"text-align: center;\">Ein gemeinsamer Weggef\u00e4hrte und Freund war Lou Reed<\/p>\n<p style=\"text-align: center;\">und MARK PAYTRESS schrieb in dem 2010 ver\u00f6ffentlichten Buch &#8222;BREAK IT UP: PATTI SMITH&#8217;S HORSES AND THE REMAKING OF ROCK &#8218;N&#8216; ROLL BY MARK PAYTRESS PAGE auf seite 166: &#8222;Any musician who described himself or herself as a poet who didn&#8217;t answer to the name <strong>Leonard Cohen<\/strong> virtually guaranteed disappointment. Too many self-styled rock poets had nearly killed the phenomenon.&#8220;<\/p>\n<p style=\"text-align: center;\">by the way, Patti Smith ist auch 2016 wieder auf Tournee. Teils mit ihrem Programm &#8222;An Evening Of Words And Music&#8220;, teil mit ihrem &#8222;Horses&#8220;-Programm, das Frau Schmidt anl\u00e4sslich des 40. Jubil\u00e4ums ihres &#8222;Horses&#8220;-Debut-Albums 2016 &#8222;live in concert&#8220; performte und auch 2016 nochmals auff\u00fchrt. U.a. in der Luxemburger Rockhal am 2. Juli.<\/p>\n<p><a href=\"http:\/\/blog.leonardcohen.de\/wp-content\/uploads\/2016\/07\/smith-2016-LUX-plakate.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-3647\" src=\"http:\/\/blog.leonardcohen.de\/wp-content\/uploads\/2016\/07\/smith-2016-LUX-plakate-300x115.jpg\" alt=\"smith-2016-LUX-plakate\" width=\"300\" height=\"115\" srcset=\"https:\/\/leonardcohen.de\/wp-content\/uploads\/2016\/07\/smith-2016-LUX-plakate-300x115.jpg 300w, https:\/\/leonardcohen.de\/wp-content\/uploads\/2016\/07\/smith-2016-LUX-plakate-1024x394.jpg 1024w, https:\/\/leonardcohen.de\/wp-content\/uploads\/2016\/07\/smith-2016-LUX-plakate-624x240.jpg 624w, https:\/\/leonardcohen.de\/wp-content\/uploads\/2016\/07\/smith-2016-LUX-plakate.jpg 1628w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><!--StartFragment--><\/p>\n<p align=\"Center\"><strong>Original-Pressetext, autorisiert von Patti Smith<\/strong><br \/>\n<strong> zur 40th Anniversary-Tour von &#8222;Horses&#8220;<\/strong><\/p>\n<p align=\"Center\">\u00a0Do you know how to Pony?<br \/>\nIn the fall of 1975, Patti Smith gathered her band in Electric Lady Studios in New York City to record her debut album, Horses.\u00a0 Released on November 10 of that year by Arista Records, it has come to be regarded as a seminal and landmark recording that continues to have resonance and relevance for succeeding generations of musicians and artists.<br \/>\nNow, forty years later, Smith will honor the longevity and lasting influence of the album with a series of special shows centered around the album.<br \/>\n\u201cIt will be a true, proud celebration,\u201d Patti says of her intent to perform Horses in its entirety.\u00a0 She will be accompanied by two members of the original group, Lenny Kaye and Jay Dee Daugherty, along with bassist \/ keyboardist Tony Shanahan, who has been a part of Her Band for twenty years.\u00a0\u00a0 Eight shows are scheduled in Germany, and special Horses concerts have been set for England, Italy, and France, as well as a hometown\u00a0 anniversary show at the Beacon Theater in New York City on November 10 and 11.<br \/>\nHorses was conceived to be, in her description, \u201cthree chord rock merged with the power of the word.\u201d\u00a0 A performance poet and visual artist, Patti had begun improvising her unique blend of song and hallucinatory imagery two years before, appearing on cabaret stages and small clubs with the support of guitarist Kaye and pianist Richard Sohl.\u00a0 She honed her songs in this live setting, allowing them to expand at will, garnering an ever-growing audience within the Manhattan underground.\u00a0\u00a0 By the time she launched a seven week residency at the then barely-known Bowery club, CBGB, in winter of 1975, her band had expanded to include guitarist Ivan Kral and drummer Jay Dee Daugherty.\u00a0\u00a0 It was during this time that she was seen and signed by Arista president Clive Davis.\u00a0 John Cale was chosen by the band to produce the album, and it was released on November 10, the death date of one of Patti\u2019s most important influences, the poet Arthur RimbaudOpening with an anthemic declaration of personal responsibility \u2013 \u201cJesus died for somebody\u2019s sins but not mine\u201d \u2013 folded within Van Morrison\u2019s classic \u201cGloria,\u201d Horses presented a return to rock\u2019s primal instincts, seeking to awaken the spirit and promise of the music at a time when it seemed as if this sensibility was at risk of being forgotten.\u00a0 The album\u2019s artistic reach took shape in the free-form flights of \u201cBirdland\u201d and \u201cLand,\u201d where the expansive soundscapes of free jazz and propulsive rhythms and incantatory lyrics intermingled to provide a sonic landscape where anything might happen.\u00a0 More structured songs, like \u201cRedondo Beach,\u201d \u201cFree Money,\u201d \u201cKimberly,\u201d and \u201cBreak It Up\u201d presented a worldview both idealistic and romantic.\u00a0 With the album\u2019s final cut, \u201cElegie,\u201d rock\u2019s past and future were entwined within the \u201csea of possibilities\u201d that became the present.\u00a0 The music was infused with poetry, in an uncompromising artistic exploration that helped lay the groundwork for what would become known as the upheaval of \u201cpunk,\u201d though Smith and her band always attempted to avoid categorization: \u201cbeyond race gender baptism mathematics politricks,\u201d as Patti wrote in the liner notes, adding \u201c\u2026as for me I am truly totally ready to go.\u201d<br \/>\nRobert Mapplethorpe\u2019s iconic front cover photograph of Patti with her jacket slung over her shoulder perfectly captured this moment of becoming, and indeed, Horses was the beginning of a long musical career that resonates even greater today.\u00a0 The album has achieved many notable recognitions over the years, included on many all-time best album lists, and by the Library of Congress in the National Recording Registry.\u00a0 It has been followed by another nine albums of original material, books of poetry and a best-selling memoir, Just Kids; world tours and personal appearances, as well as induction into the Rock and Roll Hall of Fame<\/p>\n<p align=\"Center\">MORE ABOUT PATTI SMITH in der COHENPEDIA.DE:<\/p>\n<p align=\"Center\"><a href=\"http:\/\/cohenpedia.de\/patti-smith-oh-no-not-another-little-patti-smith-section-by-christof-graf\/\">http:\/\/cohenpedia.de\/patti-smith-oh-no-not-another-little-patti-smith-section-by-christof-graf\/<\/a><\/p>\n<p><!--EndFragment--><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/cohenpedia.de\/a-z\/ Allzu viel \u00fcber die Verbindung Leonard Cohen und Patti Smith gibt es nicht zu sagen, aber: Als ich 1998 zum ersten Mal das New Yorker Chelsea Hotel besuchte, kam mir Patti Smith im Foyer entgegen. Sie lebte auch einige Zeit im Chelsea. Ein gemeinsamer Weggef\u00e4hrte und Freund war Lou Reed und MARK PAYTRESS schrieb [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3639","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/3639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3639"}],"version-history":[{"count":7,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/3639\/revisions"}],"predecessor-version":[{"id":3667,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=\/wp\/v2\/posts\/3639\/revisions\/3667"}],"wp:attachment":[{"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leonardcohen.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}