KW-44-2018: www.cohencentric.com – ein ganz lieber kollege stellt leider heute seine wunderschöne, kreative, intelligent gemachte leonardcohen-website ein. Ein Verlust . Allan Showalter, ich wünsche Dir alles Beste.

ein ganz lieber kollege stellt leider heute seine wunderschöne, kreative, intelligent gemachte leonardcohen-website ein.

http://cohencentric.wpengine.com/

 

This is the final Cohencentric post. It’s been a privilege to have shared Leonard Cohen’s life and work with so many readers.

So Long, Cohencentric – The Last Dance

Featured

Cohencentric: Nov 2, 2018

Since March 7, 2015, over 7,700 posts chock-full of information, photos, videos, animations,audio recordings, and humor have been published on Cohencentric. That’s an average of 5.7 posts added to the site each day 365 days a year, including holidays, periods of illness, and moments of lassitude. Not so shabby. And in that time, Cohencentric has accumulated nearly five million (4,899,569, last I checked) hits (i.e., unique views). Definitely not shabby.

Die Gründe? Bereits am 23. Juni kündigte Allan das Schließen der website an:

https://cohencentric.com/2018/06/23/cohencentric-leonard-cohen-considered-the-farewell-tour/

 

I Did My Best, It Wasn’t Much

After posting about Leonard Cohen for more than a decade, thus achieving my goal of creating the Internet’s most devoutly irreverent, delightfully droll, and distinctively offbeat Leonard Cohen site administered by a deeply superficial, nonpracticing agnostic hard-core dilettante, I am announcing my impending abdication.

Farewell Tour?

Well, the notion of producing a Cohencentric Farewell Tour seemed less rude – and a lot more fun – than precipitously deleting the site from the Interwebs. In addition, I’ve committed to a handful of projects that aren’t yet ready to publish, and my contract with the company hosting this site doesn’t terminate until later this year. Also, the essential and gratifying obligation of acknowledging the multitude of friends, photographers, writers, collectors, and fans who have generously contributed to Cohencentric’s success will require time. Accordingly, Cohencentric will be online until this Fall, and, until then,

We’ll give you everything we got

Why Stop Now?

More than once over the years, I’ve been so disenchanted that I decided to terminate my site (why pay $2000 a year to be abused – and not in the fun way?), only to be seduced into continuing by Leonard’s words to me, delivered in person or by email. (No, I don’t believe Leonard intentionally lured me into staying the course; it just turned out that way.) Given that I will never again hear from the man who was my audience of one, persevering has become even more difficult.

Now, anyone who knows me won’t be surprised to find that I have maintained an incredibly detailed list of grievances that led to this final determination to skip off the stage, but, heck, as Leonard observed,

Nothing in this human realm is meant to work. So once you can deeply appreciate that…the mind of compassion grows if you understand that everybody’s up against it.1

OK, OK, I’m still working on that mind of compassion thing.

Truth is, I can’t complain. The way things work is that no one was obligated to praise, applaud, or pay for my efforts. And, there have been lots of folks who have liked my stuff and have been gracious enough to say so.

What Now?

Other than Cohencentric’s publishing schedule becoming less consistent/obsessive and the reposting – for the last time – of some of Cohencentric’s Greatest Hits, little will change during the final phase of this site’s existence. So, those of you who are fans can continue to enjoy Cohencentric for a while; and, the rest of you can look forward to the time when Cohencentric is no more. Everybody wins.

What Next?

Well, “announcing my impending abdication” isn’t the same as “announcing my impending retirement.” I will be embarking on a new quest after the first of the year. But, more about that later.

Updates:

 

KW-44-2018: Heute neu: die nächste Auflage von BOB DYLAN`s Bootleg Series. Bob Dylan „More Blood, More Tracks: The Bootleg Series Vol. 14“ Vö. 02.11.2018 | 6 CDs, CD, 2 LPs oder digitaler Download | Columbia/Sony Music

Columbia Records und Legacy Recordings, die Katalogabteilung von Sony Music Entertainment, veröffentlichen am 2. November von Bob Dylan: „More Blood, More Tracks – The Bootleg Series Vol. 14“. Die neueste Ausgabe der gefeierten Bootleg Series stellt die sechs Studiosessions in den Mittelpunkt, aus denen das 1975 erschienene Album „Blood On The Tracks“ hervorging. Das Album ist eines der meistverkauften in Dylans Karriere, erreichte Platz 1 der Billboard 200 und wurde 2015 in die „Grammy Hall of Fame“ aufgenommen. Ursprünglich waren für „Blood On The Tracks“ vier Aufnahmetage in New York vorgesehen, die im September 1974 stattfanden. Der Künstler beschloss allerdings, einige der Tracks zu überarbeiten und ging deshalb im Dezember nochmals ins Tonstudio. Seine Wahl fiel auf das „Studio 80 in Minneapolis“, wo einige der Albumtracks neu eingespielt wurden. Auf „More Blood, More Tracks – The Bootleg Series Vol. 14“ sind nun erstmals sämtliche Aufnahmen aus den Sessions in NYC und die klanglich überarbeiteten Minneapolis-Tracks zu hören.

Die neueste Ausgabe der „Bootleg-Series“ dokumentiert die Entstehung des Meisterwerks in folgenden Versionen: die 6 CDs umfassende Deluxe-Version von „More Blood, More Tracks – The Bootleg Series Vol. 14“ enthält sämtliche Aufnahmen inklusive zahlreicher Outtakes, die während der New York-Sessions eingespielt wurden, sowie die fünf ursprünglichen Minneapolis-Tracks als Remasters. Zusätzlich enthält die Deluxe-Ausgabe ein Hardcover-Foto-Buch mit ausführlichen Liner Notes des Journalisten Jeff Slate sowie eine Reproduktion des legendären 57-seitigen handschriftlichen Notebooks, in dem man Zeuge der Entstehung der Songtexte zu „Blood On The Tracks“ wird. Parallel wird „More Blood, More Tracks“ auch digital, als Einzel-CD sowie (mit gleichem Inhalt) als Doppel-LP veröffentlicht. Diese Ausgabe enthält eine Essenz der Deluxe-Box, bestehend aus elf der besten Songs der New York Sessions.

KW-44-2018: 10 Years ago: #LEONARD_COHEN LIVE IN CONCERT/ Germany 2008: heute 2. November 2008, Oberhausen, Germany, König-Pilsener-Arena

Setlist:

2-Nov-08  Oberhausen, Germany  König-Pilsener-Arena

Dance Me To The End Of Love/ The Future/ Ain’t No Cure For Love/ Bird On The Wire/ Everybody Knows/ In My Secret Life/ Who By Fire/ Hey, That’s No Way To Say Goodbye / Heart With No Companion/ Anthem/ (2.Teil) Tower Of Song/ Suzanne/ The Gypsy’s Wife/ The Partisan/ Boogie Street/ Hallelujah/ Democracy/ I’m Your Man/ Take This Waltz/ (1.Zugabe) So Long, Marianne/ First We Take Manhattan/ (2.Zugabe) Famous Blue Raincoat/ If It Be Your Will/ Closing Time/ (letzte Zugabe) I Tried To Leave You/ Whither Thou Goest (tutti a cappella)

KW-44-2018: 10 Years Ago – #LEONARD_COHEN LIVE IN CONCERT/ Germany 2008: heute 31. Oktober 2008, Hamburg, Germany, Color Line Arena.. – SNIPPETS FROM OLD SMARTPHONES – Mehr davon aus der Presse…sind LINKS zu damaligen Websites der deutschen Presse 10 Jahre später noch abrufbar? Ja, aber nur einige wenige …

snippets from old smatrtphones

Setlist: 31-Oct-08  Hamburg, Germany  Color Line Arena

 Dance Me To The End Of Love/ The Future/ Ain’t No Cure For Love/ Bird On The Wire/ Everybody Knows/ In My Secret Life/ Who By Fire/ Heart With No Companion/ Hey, That’s No Way To Say Goodbye / Anthem/ (2.Teil) Tower Of Song/ Suzanne/ The Gypsy’s Wife/ The Partisan/ Boogie Street/ Hallelujah/ Democracy/ I’m Your Man/ Take This Waltz/ (1.Zugabe) So Long, Marianne/ First We Take Manhattan/ (2.Zugabe) Famous Blue Raincoat/ If It Be Your Will/ Closing Time/ (letzte Zugabe) I Tried To Leave You/ Whither Thou Goest (tutti a cappella)

 

 

https://www.journal-frankfurt.de/journal_news/Kultur-9/dk-auf-Tour–Leonard-Cohen-und-wie-er-Mainhatten-nahm-11061.html

 

eine KOnzertkritik aus Berlin vom Konzert am 6. Oktober in DIE WELT agierte als Preview …

https://www.welt.de/kultur/article2532746/Leonard-Cohen-und-das-Glueck-im-Konzert-zu-sein.html

 

KW-44-2018: Live On YOUTUBE…10 Years Ago – Heute, am 29. Oktober 2018, vor zehn Jahren fand im Rahmen von Leonard Cohens WORLD TOUR 2008-2010 nach Lörrach im Juli und Berlin und München am 4. Oktober und 6. Oktober 2008 sein viertes Deutschlandkonzert nach 15 Jahren in der Frankfurter Festhalle statt. – Es war das dritte deutsche Konzert während der Herbst 2008-Tour. (Lörrach nicht mitgerechnet)

Setlist:

  1. Oktober 2008, Frankfurt, Germany, Festhalle

Set 1: Dance M.T.T.E.O.L./ The Future/ Ain’t N.C.F.L./ Bird On The Wire/ Everybody Knows/ In My Secret Life/ Who By Fire/ Hey, That’s No Way To Say Goodbye / Heart W.N.C./ Anthem/ Set 2: Tower O.S./ Suzanne/ The Gypsy’s Wife/ The Partisan/ Boogie Street/ Hallelujah/ Democracy/ I’m Your Man/ Take This Waltz/ Encore 1: So Long, Marianne/ F.W.T.M./ Encore 2: Famous Blue Raincoat/ If It Be Your Will/ Closing Time/ Encore 3: I Tried To Leave You/ Whither Thou Goest (tutti a cappella)

LIVE ON YOUTUBE – Aber bitte nicht vergessen, das SMARTPHONE, so wie wir es heute kennen, gibt es erst seit 2008. Die hiesigen Videos sind leider wohl noch mit etwas älteren Modelln und zudem von sehr weit hinten aufgenommen. Aber es ist authentisch, historisch und unvergessen. Danke all jenen, die es auf YOUTUBE stellten…

wie z.B.: Zebra Bluewhite, der am 29.10.2008 folgendes veröffentlichtE:

Recorded live on October 29th 2008 in the Festhalle in Frankfurt. Security tight, so difficult to film. Leonard didn’t mind however, so here it is….

KW-43-2018: and another great book is out: ENGLISH only:

Leonard Cohen: An Illustrated Record (Englisch) Taschenbuch

For more than four decades, Leonard Cohen’s mournful ballads of desire, heartbreak and lost faith have captivated audiences the world over. Now more popular than ever, the award-winning Canadian songwriter, novelist and poet is revered as a cultural icon and master of his craft.

Published to coincide with Cohen’s 80th birthday in September 2014, this is the first complete guide to his studio and live albums — from his studio debut, Songs of Leonard Cohen (1967), to his most recent record, Old Ideas (2012). Offering a comprehensive overview of each LP — from writing and recording through to release and legacy — Leonard Cohen: An Illustrated Record is a richly illustrated tribute to the body of recorded work that has made Cohen a legend in his own lifetime.

Pressestimmen

Publishers Weekly (on The Beatles: Paperback Writer): ‘Evans, editor of this outstanding compendium of Beatles writing, has an eye for the relevant, the telling and the truthful, as well as the acumen to organize these accounts in a way that best tells a story. ’

Hunter Davies (Official Beatles Biographer): ‘Excellent, revealing and amusing. An invaluable collection which will be enjoyed by all. ’

Über den Autor und weitere Mitwirkende

Based in the U.K., Plexus publishes high quality, illustrated nonfiction books specializing in biography, popular culture, movies and music.